Lionel Smit

Lionel Smit was born in 1982 in Pretoria, South Africa and is best known for his contemporary portraiture executed through monumental canvases and sculptures. Perhaps more than anything else, Lionel Smit’s art is defined by a deeply rooted symbiotic relationship between sculpture and painting.

Each of Lionel Smit’s works offers us an entry point into the variety and richness that lies beneath every face we encounter in life, whether applied in bronze or in paint. The blending of techniques across genres is a display of Smit’s work in multiple media, all bearing visible overlap.

His paintings start with abstract lines and swaths of color that establish a base for the subsequently overlaid image of a face or bust – in most cases posed by anonymous models from the Cape Malay community. For Smit, the Cape Malay woman epitomizes hybrid identity within a South African context, and reflects the disintegrating construction of identity within our increasingly globalized world. His work is loaded with both historical and aesthetic precedent; clearly focused on the dialogue between the figurative and expressive abstract. Smit thus translates his own understanding of identity – drawing from images in his daily surrounds. Smit’s subject matter is consistent. The people he paints or sculpts possess a particular quality that appeals to his visual sensitivity, but nothing more in the way of social influence. The sitter’s face acts, quite simply, as a vessel for Smit’s experimentation with color, stroke and technique.

In regards to bronze, Smit’s treatment of the medium reveals it to be especially well suited tothe translation of his painterly activities into sculpture.

Smit’s bronzes are created using the lost wax casting method – one of the oldest known metal-forming techniques. Patinas commonly available to artists working in bronze include natural browns, blacks and greens. However, considering the importance of color to Smit in his painting, he uses alternative methods that result in a unique fusion of intensely saturated patinas onto the bronze.

Brilliant streaks of blues and greens enrich the grooves of an ear, while the natural shadow of an eyelid is intensified by the deepening of rich black patinas. Combing his ability to manipulate the patination process and his focused enthusiasm for surface gradations – Smit’s avant-garde approach to the medium has allowed him to consistently push the envelope.

Smit continues his visual and tactile exploration of hybrid identity and its ever changing and emerging nature within South Africa’s psycho-social landscape. While retaining all their austerity and peaceful aesthetic, Smit’s figures remain highly charged with the emotive and gestural energy of his creative process.

Based in Strand, Cape Town, Smit’s process as an artist today remains adaptive, inventive, and physically engaging. Through this he has achieved success all over the world including sell-out exhibitions in London and Hong Kong. His work continues to inspire and captivate the minds of art novices and experts alike from Europe to America.

Smit’s painting has been exhibited at the National Portrait Gallery in London where it received the Viewer’s Choice Award, as well as selected as the ‘face’ of the BP Portrait Award 2013 for all campaigns. In recent years, he has also been honored with a Ministerial Award from the Department of Culture for Visual Art. A highlight of his career has been the publication of one of his paintings on the cover of Christie’s Auction Catalogue. In June 2016, Smit, in collaboration with Cynthia-Reeves Gallery, installed a public art installation, Morphous, in Union Square, New York.

Over the past 10 years he has established a substantial international following with collectors ranging from the Standard Chartered Bank to Laurence Graff Art Collection at Delaire Graff Wine Estate.

View Inventory

Sculptures

Silkscreens