Camouflage 407
by Andy Warhol
Year: 1987
Medium: Screen print on Lenox Museum Board
Size: 38 x 38 in (96.52 x 96.52 cm)
Edition: 80
Signed
Commanding in scale and pattern, Andy Warhol’s Camouflage 407 (1987) is a 38 × 38-inch screenprint on Lenox Museum Board. From his late Camouflage series, the work transforms military patterning into a vibrant meditation on concealment, identity, and mass imagery. Signed and issued from a notably small edition of 80, this distinctive example offers exceptional visual impact, rarity, and strong appeal for discerning Pop Art collectors.
Camouflage 407 by Andy Warhol belongs to his late Camouflage series, begun in 1986 and developed from military camouflage patterns into vivid Pop compositions. Rather than serving its original purpose of concealment, Warhol turns camouflage into spectacle. The pattern suggests conflict, identity, disguise, and survival, while its bold color and repetition make the familiar military motif feel glamorous and commercial.
There is no recognized street-graffiti version of Camouflage 407. Its layered screenprint structure and controlled color fields are rooted in Warhol’s studio practice, not the spontaneous marks of street art. The tension between camouflage and visibility is central: something designed to hide becomes impossible to ignore.
For collectors, the Camouflage series holds strong market appeal because it represents one of Warhol’s final major bodies of work. Scarcity, edition details, condition, provenance, and color variation all influence desirability. In my experience, these works attract collectors who want a mature Warhol with a sharper, more contemporary edge.
Camouflage 407 shows Warhol at his most strategic—turning a symbol of conflict into a powerful statement about image, fashion, and visibility.
It follows his earlier Flowers, celebrity portraits, and consumer icons while anticipating the darker visual language of his final years.
More Andy Warhol Works to Explore
Camouflage 407
by Andy Warhol
Year: 1987
Medium: Screen print on Lenox Museum Board
Size: 38 x 38 in (96.52 x 96.52 cm)
Edition: 80
Commanding in scale and pattern, Andy Warhol’s Camouflage 407 (1987) is a 38 × 38-inch screenprint on Lenox Museum Board. From his late Camouflage series, the work transforms military patterning into a vibrant meditation on concealment, identity, and mass imagery. Signed and issued from a notably small edition of 80, this distinctive example offers exceptional visual impact, rarity, and strong appeal for discerning Pop Art collectors.
Camouflage 407 by Andy Warhol belongs to his late Camouflage series, begun in 1986 and developed from military camouflage patterns into vivid Pop compositions. Rather than serving its original purpose of concealment, Warhol turns camouflage into spectacle. The pattern suggests conflict, identity, disguise, and survival, while its bold color and repetition make the familiar military motif feel glamorous and commercial.
There is no recognized street-graffiti version of Camouflage 407. Its layered screenprint structure and controlled color fields are rooted in Warhol’s studio practice, not the spontaneous marks of street art. The tension between camouflage and visibility is central: something designed to hide becomes impossible to ignore.
For collectors, the Camouflage series holds strong market appeal because it represents one of Warhol’s final major bodies of work. Scarcity, edition details, condition, provenance, and color variation all influence desirability. In my experience, these works attract collectors who want a mature Warhol with a sharper, more contemporary edge.
Camouflage 407 shows Warhol at his most strategic—turning a symbol of conflict into a powerful statement about image, fashion, and visibility.
It follows his earlier Flowers, celebrity portraits, and consumer icons while anticipating the darker visual language of his final years.