Campbell’S Tomato Beef Noodle O’S
by Andy Warhol
Year: 1968
Medium: Screen print
Size: 35 x 23 in (88.9 x 58.42 cm)
Edition: 250
Signed
At the heart of Andy Warhol’s celebrated exploration of mass consumption, Campbell’s Tomato Beef Noodle O’s (1968) turns a familiar food label into an enduring Pop Art statement. This 35 × 23-inch screenprint is signed and numbered from an edition of 250. Its commercial imagery, bold graphic presence, and place within Warhol’s iconic Campbell’s Soup series make it a desirable work for discerning collectors.
Campbell’s Tomato Beef Noodle O’s belongs to Andy Warhol’s iconic Campbell’s Soup imagery, first presented in 1962 at Ferus Gallery in Los Angeles. Warhol transformed a supermarket label into fine art, challenging the boundary between advertising, consumer goods, and traditional painting. There is no street-graffiti version: his practice was rooted in Pop Art, commercial imagery, screenprinting, and studio production rather than street art.
The familiar red-and-white label becomes a symbol of American consumer culture, repetition, routine, and brand loyalty. By isolating an ordinary product, Warhol asks us to see mass-produced food with the same attention once reserved for portraits and historical subjects.
For collectors, Campbell’s Soup works remain among the most recognizable entry points into Warhol. Rarity, format, edition, condition, provenance, and the specific soup design all influence demand and value. The series is foundational to Warhol’s market and cultural legacy.
From our gallery perspective, the power is in the restraint: Warhol did not need to invent an icon—he revealed one hiding in plain sight.
The work belongs to Warhol’s early Pop period, alongside Coca-Cola, Brillo Boxes, and his later celebrity portraits. For collectors seeking a direct connection to the birth of Pop Art, Tomato Beef Noodle O’s remains a compelling acquisition.
More Andy Warhol Works to Explore
Campbell’S Tomato Beef Noodle O’S
by Andy Warhol
Year: 1968
Medium: Screen print
Size: 35 x 23 in (88.9 x 58.42 cm)
Edition: 250
At the heart of Andy Warhol’s celebrated exploration of mass consumption, Campbell’s Tomato Beef Noodle O’s (1968) turns a familiar food label into an enduring Pop Art statement. This 35 × 23-inch screenprint is signed and numbered from an edition of 250. Its commercial imagery, bold graphic presence, and place within Warhol’s iconic Campbell’s Soup series make it a desirable work for discerning collectors.
Campbell’s Tomato Beef Noodle O’s belongs to Andy Warhol’s iconic Campbell’s Soup imagery, first presented in 1962 at Ferus Gallery in Los Angeles. Warhol transformed a supermarket label into fine art, challenging the boundary between advertising, consumer goods, and traditional painting. There is no street-graffiti version: his practice was rooted in Pop Art, commercial imagery, screenprinting, and studio production rather than street art.
The familiar red-and-white label becomes a symbol of American consumer culture, repetition, routine, and brand loyalty. By isolating an ordinary product, Warhol asks us to see mass-produced food with the same attention once reserved for portraits and historical subjects.
For collectors, Campbell’s Soup works remain among the most recognizable entry points into Warhol. Rarity, format, edition, condition, provenance, and the specific soup design all influence demand and value. The series is foundational to Warhol’s market and cultural legacy.
From our gallery perspective, the power is in the restraint: Warhol did not need to invent an icon—he revealed one hiding in plain sight.
The work belongs to Warhol’s early Pop period, alongside Coca-Cola, Brillo Boxes, and his later celebrity portraits. For collectors seeking a direct connection to the birth of Pop Art, Tomato Beef Noodle O’s remains a compelling acquisition.