Campbell’S Soup - Tomato
by Andy Warhol
Year: 1968
Medium: Screen Print
Size: 35 x 23 Inches (89 x 58.4 Cm)
Edition of 250
Signed and numbered by the artist
Few images define American Pop Art as decisively as Andy Warhol’s Campbell’s Soup – Tomato (1968), a 35 × 23-inch screenprint drawn from his celebrated soup can imagery. By transforming a familiar grocery product into an art-world icon, Warhol examines consumerism, branding, and mass production. Signed and numbered by the artist from an edition of 250, the work offers notable provenance value and enduring collector appeal.
Campbell’s Soup – Tomato is one of Andy Warhol’s defining Pop Art images, rooted in the Campbell’s Soup Cans paintings first exhibited at Ferus Gallery in Los Angeles in 1962. By elevating a familiar supermarket label into fine art, Warhol challenged the old divide between advertising, consumer culture, and serious painting.
There is no recognized street-graffiti version. The image belongs to Warhol’s controlled screenprint language, where repetition and commercial design become the subject itself. The Tomato label suggests comfort, routine, mass production, and the power of branding. Its simplicity is intentional: Warhol turns an ordinary product into a cultural icon.
For collectors, Campbell’s Soup imagery remains among Warhol’s most sought-after and recognizable subjects. Edition, signature, condition, color, and provenance are critical when assessing rarity and market value. Strong examples remain highly liquid within the Pop Art market.
From our gallery perspective, this is Warhol in pure form: instantly familiar, visually clean, and conceptually sharp. It connects directly with his later celebrity portraits, dollar-sign works, and other consumer icons.
For collectors seeking an accessible entry into Warhol’s market, Campbell’s Soup – Tomato offers exceptional recognition, historical importance, and enduring investment appeal.
More Andy Warhol Works to Explore
Campbell’S Soup - Tomato
by Andy Warhol
Year: 1968
Medium: Screen Print
Size: 35 x 23 Inches (89 x 58.4 Cm)
Edition of 250 Signed and numbered by the artist
Few images define American Pop Art as decisively as Andy Warhol’s Campbell’s Soup – Tomato (1968), a 35 × 23-inch screenprint drawn from his celebrated soup can imagery. By transforming a familiar grocery product into an art-world icon, Warhol examines consumerism, branding, and mass production. Signed and numbered by the artist from an edition of 250, the work offers notable provenance value and enduring collector appeal.
Campbell’s Soup – Tomato is one of Andy Warhol’s defining Pop Art images, rooted in the Campbell’s Soup Cans paintings first exhibited at Ferus Gallery in Los Angeles in 1962. By elevating a familiar supermarket label into fine art, Warhol challenged the old divide between advertising, consumer culture, and serious painting.
There is no recognized street-graffiti version. The image belongs to Warhol’s controlled screenprint language, where repetition and commercial design become the subject itself. The Tomato label suggests comfort, routine, mass production, and the power of branding. Its simplicity is intentional: Warhol turns an ordinary product into a cultural icon.
For collectors, Campbell’s Soup imagery remains among Warhol’s most sought-after and recognizable subjects. Edition, signature, condition, color, and provenance are critical when assessing rarity and market value. Strong examples remain highly liquid within the Pop Art market.
From our gallery perspective, this is Warhol in pure form: instantly familiar, visually clean, and conceptually sharp. It connects directly with his later celebrity portraits, dollar-sign works, and other consumer icons.
For collectors seeking an accessible entry into Warhol’s market, Campbell’s Soup – Tomato offers exceptional recognition, historical importance, and enduring investment appeal.