Chanel No.5 Fs Ii. 354
by Andy Warhol
Year: 1985
Medium: Screen Print on Lenox Museum Board
Size: 38 in x 38 in (96.5 cm x 96.5 cm)
Signed and Numbered from the edition of 190 in pencil in the lower left
Few images embody the fusion of luxury and Pop Art as elegantly as Andy Warhol’s Chanel No. 5 FS II.354 (1985), a 38 × 38-inch screenprint on Lenox Museum Board. By elevating an iconic fragrance into a bold graphic emblem, Warhol examines branding, desire, and celebrity culture. Its commanding scale and refined commercial imagery make it a distinctive acquisition for collectors of postwar art.
“Chanel No. 5, F. & S. II.354” belongs to Andy Warhol’s celebrated body of work transforming luxury brands into Pop icons. The image draws on Chanel No. 5’s long-standing place in fashion and advertising, turning a familiar perfume bottle into a bold symbol of glamour, status, desire, and mass culture. Warhol’s treatment is deliberately cool and graphic: the bottle becomes as recognizable as a celebrity portrait.
There is no established street-graffiti version of this work. That distinction matters because Warhol’s original language was rooted in silkscreen printing, commercial imagery, and gallery culture rather than an unauthorized street edition.
For collectors, Chanel No. 5 is especially compelling because it connects two powerful names—Warhol and Chanel. Works from this perfume series remain important within the artist’s commercial-image practice and appeal to collectors seeking Pop Art with strong fashion-market relevance. Edition, provenance, condition, and authentication remain key factors in value.
From a dealer’s perspective, this is Warhol at his most strategic: he understood that luxury packaging could carry the same cultural force as a movie star. It sits naturally beside his Ads and other consumer-brand works, reinforcing his late-career mastery of celebrity, commerce, and desire.
More Andy Warhol Works to Explore
Chanel No.5 Fs Ii. 354
by Andy Warhol
Year: 1985
Medium: Screen Print on Lenox Museum Board
Size: 38 in x 38 in (96.5 cm x 96.5 cm)
Signed and Numbered from the edition of 190 in pencil in the lower left
Few images embody the fusion of luxury and Pop Art as elegantly as Andy Warhol’s Chanel No. 5 FS II.354 (1985), a 38 × 38-inch screenprint on Lenox Museum Board. By elevating an iconic fragrance into a bold graphic emblem, Warhol examines branding, desire, and celebrity culture. Its commanding scale and refined commercial imagery make it a distinctive acquisition for collectors of postwar art.
“Chanel No. 5, F. & S. II.354” belongs to Andy Warhol’s celebrated body of work transforming luxury brands into Pop icons. The image draws on Chanel No. 5’s long-standing place in fashion and advertising, turning a familiar perfume bottle into a bold symbol of glamour, status, desire, and mass culture. Warhol’s treatment is deliberately cool and graphic: the bottle becomes as recognizable as a celebrity portrait.
There is no established street-graffiti version of this work. That distinction matters because Warhol’s original language was rooted in silkscreen printing, commercial imagery, and gallery culture rather than an unauthorized street edition.
For collectors, Chanel No. 5 is especially compelling because it connects two powerful names—Warhol and Chanel. Works from this perfume series remain important within the artist’s commercial-image practice and appeal to collectors seeking Pop Art with strong fashion-market relevance. Edition, provenance, condition, and authentication remain key factors in value.
From a dealer’s perspective, this is Warhol at his most strategic: he understood that luxury packaging could carry the same cultural force as a movie star. It sits naturally beside his Ads and other consumer-brand works, reinforcing his late-career mastery of celebrity, commerce, and desire.