Paramount F. & S. Ii.352
by Andy Warhol
Year: 1985
Medium: Screen Print on Lenox Museum Board
Size: 38" x 38" (96.5 x 96.5 cm)
Signed and numbered of 190 in pencil
An emblem of Andy Warhol’s fascination with American popular culture, Paramount F. & S. II.352 (1985) is a 38 × 38-inch screenprint on Lenox Museum Board. The iconic Hollywood mountain becomes a sleek meditation on cinema, branding, and mass recognition, reflecting Warhol’s incisive Pop Art language. Signed and numbered in pencil from an edition of 190, the work carries strong provenance appeal for discerning collectors.
Paramount F. & S. II.352 by Andy Warhol is a striking example of the artist’s fascination with celebrity, cinema, and mass-media imagery. The work belongs to Warhol’s 1980s portrait practice, when he turned familiar public faces and cultural icons into polished, highly collectible images. There is no established street-graffiti version; this work depends on the controlled, commercial language of silkscreen and the visual authority of the gallery and print market.
For collectors, its appeal lies in Warhol’s enduring market strength and his ability to transform popular culture into fine art. Original Warhol works with strong provenance remain closely watched, particularly when they connect directly to his celebrity and entertainment imagery.
In our experience, the strongest Warhol works create an immediate bridge between art history and popular culture. Paramount F. & S. II.352 does exactly that: it feels familiar, yet remains unmistakably Warhol.
Stylistically, the work reflects Warhol’s late period, linking his earlier Campbell’s Soup and Marilyn imagery with his later portraits of cultural figures. It demonstrates his lasting interest in repetition, branding, fame, and the blurred line between art and commerce—qualities that continue to attract serious collectors.
More Andy Warhol Works to Explore
Paramount F. & S. Ii.352
by Andy Warhol
Year: 1985
Medium: Screen Print on Lenox Museum Board
Size: 38" x 38" (96.5 x 96.5 cm)
Signed and numbered of 190 in pencil
An emblem of Andy Warhol’s fascination with American popular culture, Paramount F. & S. II.352 (1985) is a 38 × 38-inch screenprint on Lenox Museum Board. The iconic Hollywood mountain becomes a sleek meditation on cinema, branding, and mass recognition, reflecting Warhol’s incisive Pop Art language. Signed and numbered in pencil from an edition of 190, the work carries strong provenance appeal for discerning collectors.
Paramount F. & S. II.352 by Andy Warhol is a striking example of the artist’s fascination with celebrity, cinema, and mass-media imagery. The work belongs to Warhol’s 1980s portrait practice, when he turned familiar public faces and cultural icons into polished, highly collectible images. There is no established street-graffiti version; this work depends on the controlled, commercial language of silkscreen and the visual authority of the gallery and print market.
For collectors, its appeal lies in Warhol’s enduring market strength and his ability to transform popular culture into fine art. Original Warhol works with strong provenance remain closely watched, particularly when they connect directly to his celebrity and entertainment imagery.
In our experience, the strongest Warhol works create an immediate bridge between art history and popular culture. Paramount F. & S. II.352 does exactly that: it feels familiar, yet remains unmistakably Warhol.
Stylistically, the work reflects Warhol’s late period, linking his earlier Campbell’s Soup and Marilyn imagery with his later portraits of cultural figures. It demonstrates his lasting interest in repetition, branding, fame, and the blurred line between art and commerce—qualities that continue to attract serious collectors.