Self Portrait F.S. Ii 16
by Andy Warhol
Year: 1966
Medium: Offset lithograph on silver coated paper
Size: 23 x 23 in (58.4 x 58.4cm)
Edition of 300 signed and numbered
An early statement of Warhol’s self-mythologizing practice, Self Portrait FS II.16 (1966) is a 23 × 23-inch offset lithograph on silver-coated paper. Created during the formative height of Pop Art, the work turns the artist’s own image into a sleek emblem of fame, identity, and mass culture. Signed and numbered from an edition of 300, it offers notable historical significance and strong collector appeal.
Self-Portrait (F. & S. II.16) is a landmark 1966 Andy Warhol self-portrait, created during the artist’s rise from celebrated Pop artist to global cultural icon. First presented in the context of Warhol’s 1966 Leo Castelli Gallery exhibition, the image turns the artist himself into the subject of celebrity culture.
There is no recognized street-graffiti version. This work was conceived as a fine-art screenprint, where repetition, photography, and bold surface treatment become part of Warhol’s language. His guarded expression and hand-to-chin pose suggest introspection, performance, and the tension between private identity and public fame.
For collectors, II.16 has strong market importance as an early, highly recognizable Warhol self-portrait. Its limited edition, signed examples, condition, and provenance all influence rarity and value. Demand remains strong for major Warhol self-portraits because they sit at the heart of his artistic legacy.
From our gallery perspective, the power is in its restraint. Warhol does not simply portray himself; he builds a brand around his own image. The work connects directly to his later Self-Portraits and Fright Wig series. For collectors seeking an iconic Warhol with cultural relevance and lasting visual impact, II.16 is a compelling acquisition.
More Andy Warhol Works to Explore
Self Portrait F.S. Ii 16
by Andy Warhol
Year: 1966
Medium: Offset lithograph on silver coated paper
Size: 23 x 23 in (58.4 x 58.4cm)
Edition of 300 signed and numbered
An early statement of Warhol’s self-mythologizing practice, Self Portrait FS II.16 (1966) is a 23 × 23-inch offset lithograph on silver-coated paper. Created during the formative height of Pop Art, the work turns the artist’s own image into a sleek emblem of fame, identity, and mass culture. Signed and numbered from an edition of 300, it offers notable historical significance and strong collector appeal.
Self-Portrait (F. & S. II.16) is a landmark 1966 Andy Warhol self-portrait, created during the artist’s rise from celebrated Pop artist to global cultural icon. First presented in the context of Warhol’s 1966 Leo Castelli Gallery exhibition, the image turns the artist himself into the subject of celebrity culture.
There is no recognized street-graffiti version. This work was conceived as a fine-art screenprint, where repetition, photography, and bold surface treatment become part of Warhol’s language. His guarded expression and hand-to-chin pose suggest introspection, performance, and the tension between private identity and public fame.
For collectors, II.16 has strong market importance as an early, highly recognizable Warhol self-portrait. Its limited edition, signed examples, condition, and provenance all influence rarity and value. Demand remains strong for major Warhol self-portraits because they sit at the heart of his artistic legacy.
From our gallery perspective, the power is in its restraint. Warhol does not simply portray himself; he builds a brand around his own image. The work connects directly to his later Self-Portraits and Fright Wig series. For collectors seeking an iconic Warhol with cultural relevance and lasting visual impact, II.16 is a compelling acquisition.