Flash November 22 (F. & S. Ii.39)
by Andy Warhol
Year: 1968
Medium: Screenprint
Size: 21 x 21 inches (54 x 54cm)
A defining meditation on media, tragedy, and mass imagery, Andy Warhol’s Flash—November 22 (F. & S. II.39) (1968) is a 21 × 21-inch screenprint drawn from his landmark Flash series. Warhol reworks the imagery surrounding the Kennedy assassination into a haunting study of repetition and collective memory. Signed by Warhol, the work carries significant historical resonance and strong appeal for discerning Pop Art collectors.
Flash – November 22 (F. & S. II.39) is one of Andy Warhol’s most powerful responses to the assassination of President John F. Kennedy. Created in 1968 as part of the Flash – November 22, 1963 portfolio, it draws from the mass-media images that shaped public memory of the event. Warhol transforms news photography into Pop Art, exposing how tragedy becomes repeated, consumed, and remembered.
There is no recognized street-graffiti version. The work was conceived as a fine-art screenprint, with repetition and bold graphic treatment central to its meaning. Its symbolism lies in the collision of celebrity, death, media spectacle, and collective memory.
For collectors, II.39 carries strong historical and market importance. The limited-edition portfolio is highly sought after, while rarity, condition, signature, and provenance can significantly affect desirability.
From our gallery perspective, Warhol’s achievement is his restraint: he does not recreate the tragedy, but shows how the media turned it into an enduring visual icon. The work belongs to Warhol’s late-1960s engagement with political imagery and connects closely with his Jackie paintings and prints.
For collectors seeking Warhol with cultural weight, historical relevance, and lasting visual power, Flash – November 22 remains a compelling acquisition.
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Flash November 22 (F. & S. Ii.39)
by Andy Warhol
Year: 1968
Medium: Screenprint
Size: 21 x 21 inches (54 x 54cm)
A defining meditation on media, tragedy, and mass imagery, Andy Warhol’s Flash—November 22 (F. & S. II.39) (1968) is a 21 × 21-inch screenprint drawn from his landmark Flash series. Warhol reworks the imagery surrounding the Kennedy assassination into a haunting study of repetition and collective memory. Signed by Warhol, the work carries significant historical resonance and strong appeal for discerning Pop Art collectors.
Flash – November 22 (F. & S. II.39) is one of Andy Warhol’s most powerful responses to the assassination of President John F. Kennedy. Created in 1968 as part of the Flash – November 22, 1963 portfolio, it draws from the mass-media images that shaped public memory of the event. Warhol transforms news photography into Pop Art, exposing how tragedy becomes repeated, consumed, and remembered.
There is no recognized street-graffiti version. The work was conceived as a fine-art screenprint, with repetition and bold graphic treatment central to its meaning. Its symbolism lies in the collision of celebrity, death, media spectacle, and collective memory.
For collectors, II.39 carries strong historical and market importance. The limited-edition portfolio is highly sought after, while rarity, condition, signature, and provenance can significantly affect desirability.
From our gallery perspective, Warhol’s achievement is his restraint: he does not recreate the tragedy, but shows how the media turned it into an enduring visual icon. The work belongs to Warhol’s late-1960s engagement with political imagery and connects closely with his Jackie paintings and prints.
For collectors seeking Warhol with cultural weight, historical relevance, and lasting visual power, Flash – November 22 remains a compelling acquisition.