1 Pop Shop Iii
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Celebrating Keith Haring’s Pop Shop vision, 1 Pop Shop III (1989) is a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. Its energetic graphic vocabulary reflects Haring’s late-1980s fusion of street art, Pop culture, and democratic visual communication. As a period example of his influential Pop Shop practice, the work offers collectors accessible scale, cultural resonance, and a clearly defined limited edition.
1 Pop Shop III (1989) is Plate 1 from Keith Haring’s third Pop Shop portfolio, created during the artist’s mature New York period. It first appears as a studio screenprint, not as a known street-graffiti work. Its visual DNA, however, comes directly from Haring’s subway drawings: bold outlines, simplified figures, and motion lines that made his art instantly readable. The Pop Shop extended that public language into an accessible art market.
Two figures struggle with a mechanical structure, turning a playful scene into a symbol of effort, cooperation, curiosity, and human connection. The compressed forms and energetic lines show Haring’s ability to make movement feel almost audible.
Signed and numbered from an edition of 200, this print offers a strong route into Haring’s late-1980s Pop Shop practice. Its place in the complete four-print portfolio adds historical and collecting interest.
In our view, this is Haring at his most effective—simple enough to read instantly, yet rich enough to reward closer looking.
It belongs to Haring’s 1989 Pop Shop III period, alongside Plates II–IV, and sits between his subway roots and his mature printmaking. For collectors seeking an iconic, documented Haring screenprint, it remains a compelling acquisition.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.
More Keith Haring Works to Explore
1 Pop Shop Iii
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Celebrating Keith Haring’s Pop Shop vision, 1 Pop Shop III (1989) is a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. Its energetic graphic vocabulary reflects Haring’s late-1980s fusion of street art, Pop culture, and democratic visual communication. As a period example of his influential Pop Shop practice, the work offers collectors accessible scale, cultural resonance, and a clearly defined limited edition.
1 Pop Shop III (1989) is Plate 1 from Keith Haring’s third Pop Shop portfolio, created during the artist’s mature New York period. It first appears as a studio screenprint, not as a known street-graffiti work. Its visual DNA, however, comes directly from Haring’s subway drawings: bold outlines, simplified figures, and motion lines that made his art instantly readable. The Pop Shop extended that public language into an accessible art market.
Two figures struggle with a mechanical structure, turning a playful scene into a symbol of effort, cooperation, curiosity, and human connection. The compressed forms and energetic lines show Haring’s ability to make movement feel almost audible.
Signed and numbered from an edition of 200, this print offers a strong route into Haring’s late-1980s Pop Shop practice. Its place in the complete four-print portfolio adds historical and collecting interest.
In our view, this is Haring at his most effective—simple enough to read instantly, yet rich enough to reward closer looking.
It belongs to Haring’s 1989 Pop Shop III period, alongside Plates II–IV, and sits between his subway roots and his mature printmaking. For collectors seeking an iconic, documented Haring screenprint, it remains a compelling acquisition.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.