1 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Keith Haring’s 1 Pop Shop VI (1989) captures the artist’s signature visual energy in a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. Rooted in Haring’s Pop Shop era, the work reflects his fusion of street culture, graphic art, and accessible imagery. Its concise format, limited-edition status, and strong cultural resonance make it an appealing addition to a discerning contemporary art collection.
Created in 1989, Pop Shop VI (Plate 1) belongs to Haring’s late Pop Shop portfolio, born from his mission to make art accessible beyond the traditional gallery system. The exact composition first appears as a silkscreen edition; there is no documented street-graffiti version of this specific image. Instead, it carries Haring’s unmistakable subway-drawing language into print: bold figures, rhythmic movement, and bodies that merge into one energetic form.
The interlocking blue and orange figures suggest connection, intimacy, and shared human energy. Their unusual anatomy turns the body into a visual symbol of unity, while the open space keeps the image immediate and democratic.
For collectors, this is a compelling Haring edition: only 200 were produced, with 25 artist’s proof sets, and the complete portfolio has achieved strong auction results. Its importance lies in its direct link to the Pop Shop concept and Haring’s late-career push to erase the boundary between fine art and popular culture.
The work feels quintessentially Haring: playful at first glance, yet deeply rooted in his enduring themes of movement, connection, and human interaction. Alongside Pop Shop V and Pop Shop VI plates, it is a smart choice for collectors seeking a documented late-period Haring with strong cultural and market appeal.
More Keith Haring Works to Explore
1 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Keith Haring’s 1 Pop Shop VI (1989) captures the artist’s signature visual energy in a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. Rooted in Haring’s Pop Shop era, the work reflects his fusion of street culture, graphic art, and accessible imagery. Its concise format, limited-edition status, and strong cultural resonance make it an appealing addition to a discerning contemporary art collection.
Created in 1989, Pop Shop VI (Plate 1) belongs to Haring’s late Pop Shop portfolio, born from his mission to make art accessible beyond the traditional gallery system. The exact composition first appears as a silkscreen edition; there is no documented street-graffiti version of this specific image. Instead, it carries Haring’s unmistakable subway-drawing language into print: bold figures, rhythmic movement, and bodies that merge into one energetic form.
The interlocking blue and orange figures suggest connection, intimacy, and shared human energy. Their unusual anatomy turns the body into a visual symbol of unity, while the open space keeps the image immediate and democratic.
For collectors, this is a compelling Haring edition: only 200 were produced, with 25 artist’s proof sets, and the complete portfolio has achieved strong auction results. Its importance lies in its direct link to the Pop Shop concept and Haring’s late-career push to erase the boundary between fine art and popular culture.
The work feels quintessentially Haring: playful at first glance, yet deeply rooted in his enduring themes of movement, connection, and human interaction. Alongside Pop Shop V and Pop Shop VI plates, it is a smart choice for collectors seeking a documented late-period Haring with strong cultural and market appeal.