2 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Dating to 1989, Keith Haring’s 2 Pop Shop VI is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Drawn from the artist’s influential Pop Shop period, the work embodies his vivid graphic language and bridge between street culture and fine art. Its period relevance, limited availability, and iconic authorship make it a compelling acquisition for discerning collectors.
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First appearing in Keith Haring’s 1989 Pop Shop VI portfolio, this second plate presents two pale-blue figures framing a brilliant yellow field, evoking sunlight, divine light, and spiritual energy. The work has no documented street-graffiti version; it was conceived as a screenprint within Haring’s Pop Shop program, which grew from his 1986 Soho store and his mission to make art available beyond traditional galleries.
The embracing figures create a visual gateway, turning the human body into a frame for light. That simple device carries Haring’s recurring themes of connection, transcendence, movement, and shared experience. Its bold colors and simplified forms also show how he transformed his subway-born visual language into fine art without losing its public energy.
For collectors, the edition of 200 gives the work defined scarcity, while its place in a late Pop Shop portfolio adds strong market relevance.
In our view, the appeal lies in its rare mix of spiritual symbolism and instant graphic impact. It belongs to Haring’s mature 1980s period, alongside the Pop Shop portfolios, Growing works, and other iconic figure compositions. For collectors seeking a museum-recognized Haring with strong visual presence, 2 Pop Shop VI is a compelling acquisition.
More Keith Haring Works to Explore
2 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Dating to 1989, Keith Haring’s 2 Pop Shop VI is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Drawn from the artist’s influential Pop Shop period, the work embodies his vivid graphic language and bridge between street culture and fine art. Its period relevance, limited availability, and iconic authorship make it a compelling acquisition for discerning collectors.
First appearing in Keith Haring’s 1989 Pop Shop VI portfolio, this second plate presents two pale-blue figures framing a brilliant yellow field, evoking sunlight, divine light, and spiritual energy. The work has no documented street-graffiti version; it was conceived as a screenprint within Haring’s Pop Shop program, which grew from his 1986 Soho store and his mission to make art available beyond traditional galleries.
The embracing figures create a visual gateway, turning the human body into a frame for light. That simple device carries Haring’s recurring themes of connection, transcendence, movement, and shared experience. Its bold colors and simplified forms also show how he transformed his subway-born visual language into fine art without losing its public energy.
For collectors, the edition of 200 gives the work defined scarcity, while its place in a late Pop Shop portfolio adds strong market relevance.
In our view, the appeal lies in its rare mix of spiritual symbolism and instant graphic impact. It belongs to Haring’s mature 1980s period, alongside the Pop Shop portfolios, Growing works, and other iconic figure compositions. For collectors seeking a museum-recognized Haring with strong visual presence, 2 Pop Shop VI is a compelling acquisition.