3 Pop Shop Iv
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Rooted in Keith Haring’s celebrated Pop Shop era, 3 Pop Shop IV (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Its bold graphic vocabulary reflects Haring’s pioneering dialogue between street culture, popular imagery, and fine art. With strong period significance, limited availability, and distinctive visual character, the work offers lasting appeal for discerning collectors.
First issued in 1989 as Plate 3 of Keith Haring’s Pop Shop IV portfolio, this screenprint captures two interlocking figures in a playful, almost acrobatic embrace. One body passes through the other, creating a visual loop that suggests connection, movement, intimacy, and shared energy. Its limited red, yellow, brown, and black palette gives the image the direct force of Haring’s public drawings.
There is no documented street-graffiti version of this exact composition. Instead, it carries Haring’s subway vocabulary into the edition market. The Pop Shop project grew from his 1986 New York store, where Haring deliberately made art more accessible beyond the traditional gallery system.
For collectors, the work offers a strong combination of scarcity and recognition: it is hand-signed and numbered from an edition of 200. Plate 3 has shown consistent auction demand, including a 2026 Sotheby’s result of $28,160 and a 2024 Van Ham result of $26,480.
What makes this plate especially attractive is its joyful physicality. It belongs squarely to Haring’s late Pop Shop period while echoing his recurring themes of human connection, bodies, and movement. For collectors seeking an iconic yet approachable Keith Haring print, Pop Shop IV (Plate 3) offers strong visual impact and proven market relevance.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.
More Keith Haring Works to Explore
3 Pop Shop Iv
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Rooted in Keith Haring’s celebrated Pop Shop era, 3 Pop Shop IV (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Its bold graphic vocabulary reflects Haring’s pioneering dialogue between street culture, popular imagery, and fine art. With strong period significance, limited availability, and distinctive visual character, the work offers lasting appeal for discerning collectors.
First issued in 1989 as Plate 3 of Keith Haring’s Pop Shop IV portfolio, this screenprint captures two interlocking figures in a playful, almost acrobatic embrace. One body passes through the other, creating a visual loop that suggests connection, movement, intimacy, and shared energy. Its limited red, yellow, brown, and black palette gives the image the direct force of Haring’s public drawings.
There is no documented street-graffiti version of this exact composition. Instead, it carries Haring’s subway vocabulary into the edition market. The Pop Shop project grew from his 1986 New York store, where Haring deliberately made art more accessible beyond the traditional gallery system.
For collectors, the work offers a strong combination of scarcity and recognition: it is hand-signed and numbered from an edition of 200. Plate 3 has shown consistent auction demand, including a 2026 Sotheby’s result of $28,160 and a 2024 Van Ham result of $26,480.
What makes this plate especially attractive is its joyful physicality. It belongs squarely to Haring’s late Pop Shop period while echoing his recurring themes of human connection, bodies, and movement. For collectors seeking an iconic yet approachable Keith Haring print, Pop Shop IV (Plate 3) offers strong visual impact and proven market relevance.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.