4 Pop Shop I
by Keith Haring
Year: 1987
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
A compelling example of Keith Haring’s Pop Shop vocabulary, 4 Pop Shop I (1987) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Created during a pivotal period in Haring’s practice, it reflects his fusion of street culture, graphic immediacy, and fine art. Its period significance and collectible scarcity make it an attractive addition for discerning collectors.
First appearing in Keith Haring’s 1987 Pop Shop I portfolio as Plate 4, this signed screenprint captures two figures in a charged display of balance, strength, and movement. Unlike Haring’s subway drawings, it has no documented street-graffiti version; it was conceived as a fine-art print tied to the Pop Shop project, Haring’s landmark effort to make art accessible beyond the gallery system.
The lifted figure suggests trust, play, and shared energy, while the bold outlines and vivid color turn a simple gesture into a universal symbol of connection. For collectors, the edition of 200 makes authentic signed examples finite, while recent auction results show sustained demand and strong market recognition.
What makes this work especially compelling is its balance of street-born immediacy and Pop-era sophistication. It belongs to Haring’s mature 1980s visual language, alongside his Pop Shop portfolios and iconic dancing, crawling, and radiant figures. For collectors seeking an accessible entry into Haring’s market, Plate 4 offers rarity, recognizable imagery, and lasting cultural relevance.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.
More Keith Haring Works to Explore
4 Pop Shop I
by Keith Haring
Year: 1987
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
A compelling example of Keith Haring’s Pop Shop vocabulary, 4 Pop Shop I (1987) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Created during a pivotal period in Haring’s practice, it reflects his fusion of street culture, graphic immediacy, and fine art. Its period significance and collectible scarcity make it an attractive addition for discerning collectors.
First appearing in Keith Haring’s 1987 Pop Shop I portfolio as Plate 4, this signed screenprint captures two figures in a charged display of balance, strength, and movement. Unlike Haring’s subway drawings, it has no documented street-graffiti version; it was conceived as a fine-art print tied to the Pop Shop project, Haring’s landmark effort to make art accessible beyond the gallery system.
The lifted figure suggests trust, play, and shared energy, while the bold outlines and vivid color turn a simple gesture into a universal symbol of connection. For collectors, the edition of 200 makes authentic signed examples finite, while recent auction results show sustained demand and strong market recognition.
What makes this work especially compelling is its balance of street-born immediacy and Pop-era sophistication. It belongs to Haring’s mature 1980s visual language, alongside his Pop Shop portfolios and iconic dancing, crawling, and radiant figures. For collectors seeking an accessible entry into Haring’s market, Plate 4 offers rarity, recognizable imagery, and lasting cultural relevance.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.