4 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Within Keith Haring’s celebrated Pop Shop series, 4 Pop Shop VI (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Its concise format and bold graphic language embody Haring’s fusion of street culture, popular imagery, and fine art. A period example with strong cultural resonance, it offers collectors an accessible yet distinctive work by a defining figure of contemporary art.
First appearing in Keith Haring’s Pop Shop VI portfolio in 1989, Plate 4 presents three intertwined figures in burnt orange against a deep blue field. The central form merges multiple bodies into one restless shape, creating a vivid study of movement, connection, and shared energy. The unusual anatomy also hints at Haring’s interest in identity, transformation, and the human body.
There is no documented street-graffiti version of this exact composition. Instead, it brings the direct visual language of Haring’s subway drawings into his studio print practice. Its roots remain firmly tied to his democratic approach to art, developed through the Pop Shop he opened in New York in 1986.
For collectors, rarity and market relevance are clear strengths. Plate 4 is from an edition of 200, with 25 artist’s proofs, and is fully documented in Klaus Littmann’s catalogue raisonné. A complete Pop Shop VI set remains actively offered in the market, while individual plates continue to appear at auction.
From a gallery perspective, this is Haring at his most kinetic: simple lines, complex bodies, and instant visual impact. It belongs to his mature 1989 period and connects directly with his recurring themes of movement, human connection, and access to art. For collectors seeking a distinctive Keith Haring print beyond the obvious icons, this is a compelling acquisition.
More Keith Haring Works to Explore
4 Pop Shop Vi
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
Within Keith Haring’s celebrated Pop Shop series, 4 Pop Shop VI (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), issued in an edition of 200. Its concise format and bold graphic language embody Haring’s fusion of street culture, popular imagery, and fine art. A period example with strong cultural resonance, it offers collectors an accessible yet distinctive work by a defining figure of contemporary art.
First appearing in Keith Haring’s Pop Shop VI portfolio in 1989, Plate 4 presents three intertwined figures in burnt orange against a deep blue field. The central form merges multiple bodies into one restless shape, creating a vivid study of movement, connection, and shared energy. The unusual anatomy also hints at Haring’s interest in identity, transformation, and the human body.
There is no documented street-graffiti version of this exact composition. Instead, it brings the direct visual language of Haring’s subway drawings into his studio print practice. Its roots remain firmly tied to his democratic approach to art, developed through the Pop Shop he opened in New York in 1986.
For collectors, rarity and market relevance are clear strengths. Plate 4 is from an edition of 200, with 25 artist’s proofs, and is fully documented in Klaus Littmann’s catalogue raisonné. A complete Pop Shop VI set remains actively offered in the market, while individual plates continue to appear at auction.
From a gallery perspective, this is Haring at his most kinetic: simple lines, complex bodies, and instant visual impact. It belongs to his mature 1989 period and connects directly with his recurring themes of movement, human connection, and access to art. For collectors seeking a distinctive Keith Haring print beyond the obvious icons, this is a compelling acquisition.