Pop Shop Quad Vi
by Keith Haring
Year: 1989
Medium: Silkscreen Print
Size: 13 x 16” (EACH, UNFRAMED SIZE); 33 x 40 CM
Silkscreen Print, Individually framed
Edition: 109 / 200 – all (4) matching edition numbers
Notably presented as a complete set, Keith Haring’s Pop Shop Quad VI (1989) comprises four silkscreen prints, each measuring 13 × 16 inches (33 × 40 cm). Issued from an edition of 200, this example is numbered 109/200, with all four impressions sharing matching numbers. Rooted in Haring’s Pop Shop era, its bold visual language and cohesive presentation offer strong provenance and exceptional appeal for collectors.
Created in 1989, Pop Shop Quad VI belongs to Keith Haring’s late Pop Shop period and was issued as a color screenprint in an edition of 75. It first appears as a fine-art print, not as a subway graffiti work. There is no known street version of this exact composition; Haring developed it specifically for the Pop Shop project, extending his public visual language into collectible editions.
Four dynamic quadrants turn Haring’s simplified figures into signs: a cross, a hand, and a television-like form. The imagery reflects his recurring themes of movement, communication, community, and mass culture. It also captures his effort to erase the boundary between fine art and popular art.
For collectors, the edition of 75 makes Pop Shop Quad VI notably scarce. Its Pop Shop provenance, strong visual identity, and place within Haring’s final working years give it lasting market relevance.
From a gallery perspective, this is Haring at his most direct: instantly readable, deeply symbolic, and built to communicate across audiences.
It connects closely with the 1989 Pop Shop VI suite and Haring’s earlier subway drawings, public murals, and Pop Shop editions.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.
More Keith Haring Works to Explore
Pop Shop Quad Vi
by Keith Haring
Year: 1989
Medium: Silkscreen Print
Size: 13 x 16” (EACH, UNFRAMED SIZE); 33 x 40 CM
Silkscreen Print, Individually framed
Notably presented as a complete set, Keith Haring’s Pop Shop Quad VI (1989) comprises four silkscreen prints, each measuring 13 × 16 inches (33 × 40 cm). Issued from an edition of 200, this example is numbered 109/200, with all four impressions sharing matching numbers. Rooted in Haring’s Pop Shop era, its bold visual language and cohesive presentation offer strong provenance and exceptional appeal for collectors.
Created in 1989, Pop Shop Quad VI belongs to Keith Haring’s late Pop Shop period and was issued as a color screenprint in an edition of 75. It first appears as a fine-art print, not as a subway graffiti work. There is no known street version of this exact composition; Haring developed it specifically for the Pop Shop project, extending his public visual language into collectible editions.
Four dynamic quadrants turn Haring’s simplified figures into signs: a cross, a hand, and a television-like form. The imagery reflects his recurring themes of movement, communication, community, and mass culture. It also captures his effort to erase the boundary between fine art and popular art.
For collectors, the edition of 75 makes Pop Shop Quad VI notably scarce. Its Pop Shop provenance, strong visual identity, and place within Haring’s final working years give it lasting market relevance.
From a gallery perspective, this is Haring at his most direct: instantly readable, deeply symbolic, and built to communicate across audiences.
It connects closely with the 1989 Pop Shop VI suite and Haring’s earlier subway drawings, public murals, and Pop Shop editions.
Keith Haring (1958–1990) was an influential American artist known for his bold lines, vivid colors, and instantly recognizable figures that helped define the New York art scene of the 1980s. Combining elements of Pop Art, graffiti, and street culture, Haring created energetic artworks featuring dancing figures, barking dogs, radiant babies, and symbolic imagery exploring humanity, love, social justice, and political activism.
Born in Reading, Pennsylvania, Haring moved to New York City in 1978 to study at the School of Visual Arts. He gained public attention through his chalk drawings on unused subway advertising panels, transforming everyday urban spaces into accessible public art. His distinctive visual language soon attracted international recognition and led to exhibitions, collaborations, and large-scale murals.
In 1986, Haring opened the Pop Shop in Manhattan, offering prints, clothing, and other products featuring his designs. The shop reflected his belief that art should reach people beyond traditional galleries and museums. Throughout his career, he addressed important social issues, including racism, apartheid, drug abuse, and the AIDS epidemic.
After being diagnosed with AIDS in 1988, Haring continued creating art and established the Keith Haring Foundation in 1989 to support AIDS-related organizations and children's programs. He died in 1990, aged 31, leaving a lasting legacy in contemporary art.
Today, Keith Haring art prints and original artworks remain sought after by collectors worldwide. Understanding an artwork's edition, condition, provenance, and market history is essential when evaluating its value. Explore our guide to Keith Haring print valuation and learn more about the investment potential of Keith Haring art.