Pop Shop Quad Vi
by Keith Haring
Year: 1989
Medium: Silkscreen Print, Individually framed
Size: 13 x 16” (EACH, UNFRAMED SIZE); 33 x 40 CM
POP SHOP VI (SET)
EDITION: 109 / 200 – ALL (4) MATCHING EDITION NUMBERS
Notably presented as a complete set, Keith Haring’s Pop Shop Quad VI (1989) comprises four silkscreen prints, each measuring 13 × 16 inches (33 × 40 cm). Issued from an edition of 200, this example is numbered 109/200, with all four impressions sharing matching numbers. Rooted in Haring’s Pop Shop era, its bold visual language and cohesive presentation offer strong provenance and exceptional appeal for collectors.
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Created in 1989, Pop Shop Quad VI belongs to Keith Haring’s late Pop Shop period and was issued as a color screenprint in an edition of 75. It first appears as a fine-art print, not as a subway graffiti work. There is no known street version of this exact composition; Haring developed it specifically for the Pop Shop project, extending his public visual language into collectible editions.
Four dynamic quadrants turn Haring’s simplified figures into signs: a cross, a hand, and a television-like form. The imagery reflects his recurring themes of movement, communication, community, and mass culture. It also captures his effort to erase the boundary between fine art and popular art.
For collectors, the edition of 75 makes Pop Shop Quad VI notably scarce. Its Pop Shop provenance, strong visual identity, and place within Haring’s final working years give it lasting market relevance.
From a gallery perspective, this is Haring at his most direct: instantly readable, deeply symbolic, and built to communicate across audiences.
It connects closely with the 1989 Pop Shop VI suite and Haring’s earlier subway drawings, public murals, and Pop Shop editions.
More Keith Haring Works to Explore
Pop Shop Quad Vi
by Keith Haring
Year: 1989
Medium: Silkscreen Print, Individually framed
Size: 13 x 16” (EACH, UNFRAMED SIZE); 33 x 40 CM
POP SHOP VI (SET) EDITION: 109 / 200 – ALL (4) MATCHING EDITION NUMBERS
Notably presented as a complete set, Keith Haring’s Pop Shop Quad VI (1989) comprises four silkscreen prints, each measuring 13 × 16 inches (33 × 40 cm). Issued from an edition of 200, this example is numbered 109/200, with all four impressions sharing matching numbers. Rooted in Haring’s Pop Shop era, its bold visual language and cohesive presentation offer strong provenance and exceptional appeal for collectors.
Created in 1989, Pop Shop Quad VI belongs to Keith Haring’s late Pop Shop period and was issued as a color screenprint in an edition of 75. It first appears as a fine-art print, not as a subway graffiti work. There is no known street version of this exact composition; Haring developed it specifically for the Pop Shop project, extending his public visual language into collectible editions.
Four dynamic quadrants turn Haring’s simplified figures into signs: a cross, a hand, and a television-like form. The imagery reflects his recurring themes of movement, communication, community, and mass culture. It also captures his effort to erase the boundary between fine art and popular art.
For collectors, the edition of 75 makes Pop Shop Quad VI notably scarce. Its Pop Shop provenance, strong visual identity, and place within Haring’s final working years give it lasting market relevance.
From a gallery perspective, this is Haring at his most direct: instantly readable, deeply symbolic, and built to communicate across audiences.
It connects closely with the 1989 Pop Shop VI suite and Haring’s earlier subway drawings, public murals, and Pop Shop editions.