Untitled (Littmann P. 50)
by Keith Haring
Year: 1985
Medium: Screenprint on wove paper
Size: 23 1/2 x 31 1/2 in | 59.7 x 80 cm
Edition of 150
Signed and numbered
Emerging from Keith Haring’s landmark 1985 period, Untitled (Littmann P. 50) is a signed and numbered screenprint on wove paper measuring 23 1/2 × 31 1/2 inches (59.7 × 80 cm). Issued in a limited edition of 150, it embodies Haring’s instantly recognizable visual vocabulary and social energy. Its documented edition, authentic signature, and enduring cultural significance make it a compelling acquisition for discerning collectors.
Submit an inquiry to receive authentic photos of the artwork, pricing details, and guidance on how to purchase.
Untitled (Littmann P. 50) by Keith Haring is a compelling work from the artist’s celebrated print catalogue, documenting the visual language that made him one of the defining figures of 1980s contemporary art. Created during Haring’s mature studio period, the work did not originate as a specific street graffiti piece. Instead, it translates the bold outlines, rhythmic movement, and symbolic figures first developed in his iconic New York subway drawings into a refined edition intended for collectors.
Like many of Haring’s untitled compositions, the work encourages open interpretation. Dynamic figures, radiating lines, and interconnected forms explore themes of human connection, movement, social unity, and the exchange of energy. The absence of a title invites viewers to focus on Haring’s universal visual language rather than a prescribed narrative.
Collectors value Untitled (Littmann P. 50) for its documented place in the Littmann catalogue raisonné, limited availability, and strong demand within the blue-chip Keith Haring market. Well-preserved impressions remain highly desirable for both established and emerging collectors.
Curator Insight: At ArtLife Gallery, we appreciate Untitled (Littmann P. 50) for its clarity and confidence—proof that Haring could communicate profound ideas through remarkably simple forms.
The work belongs to Haring’s mature printmaking period and relates closely to Pop Shop, Totem, Radiant Baby, and his subway drawings, demonstrating how he successfully transformed street-inspired imagery into enduring fine art.
More Keith Haring Works to Explore
Untitled (Littmann P. 50)
by Keith Haring
Year: 1985
Medium: Screenprint on wove paper
Size: 23 1/2 x 31 1/2 in | 59.7 x 80 cm
Edition of 150
Emerging from Keith Haring’s landmark 1985 period, Untitled (Littmann P. 50) is a signed and numbered screenprint on wove paper measuring 23 1/2 × 31 1/2 inches (59.7 × 80 cm). Issued in a limited edition of 150, it embodies Haring’s instantly recognizable visual vocabulary and social energy. Its documented edition, authentic signature, and enduring cultural significance make it a compelling acquisition for discerning collectors.
Untitled (Littmann P. 50) by Keith Haring is a compelling work from the artist’s celebrated print catalogue, documenting the visual language that made him one of the defining figures of 1980s contemporary art. Created during Haring’s mature studio period, the work did not originate as a specific street graffiti piece. Instead, it translates the bold outlines, rhythmic movement, and symbolic figures first developed in his iconic New York subway drawings into a refined edition intended for collectors.
Like many of Haring’s untitled compositions, the work encourages open interpretation. Dynamic figures, radiating lines, and interconnected forms explore themes of human connection, movement, social unity, and the exchange of energy. The absence of a title invites viewers to focus on Haring’s universal visual language rather than a prescribed narrative.
Collectors value Untitled (Littmann P. 50) for its documented place in the Littmann catalogue raisonné, limited availability, and strong demand within the blue-chip Keith Haring market. Well-preserved impressions remain highly desirable for both established and emerging collectors.
Curator Insight: At ArtLife Gallery, we appreciate Untitled (Littmann P. 50) for its clarity and confidence—proof that Haring could communicate profound ideas through remarkably simple forms.
The work belongs to Haring’s mature printmaking period and relates closely to Pop Shop, Totem, Radiant Baby, and his subway drawings, demonstrating how he successfully transformed street-inspired imagery into enduring fine art.