Rome Pays Off
by Jean-Michel Basquiat
Year: 1982-2004
Medium: Screenprint on Lenox Museum Board
Size: 44” x 40”
Screenprint in colours, 2004, from Portfolio II, numbered of 85, with the Estate stamp verso, signed in pencil and dated by Gerard Basquiat, the administrator of the Estate of Jean-Michel Basquiat, published by David DeSanctis Contemporary Art, Inc., New York, on Saunders Hot Press watercolour paper.
An important work within Jean-Michel Basquiat’s celebrated print legacy, Rome Pays Off (1982–2004) is a screenprint on Lenox Museum Board measuring 44 × 40 inches. The piece reflects Basquiat’s influential fusion of language, symbolism, and cultural critique, capturing the intellectual energy of his Neo-Expressionist practice. With its museum-quality presentation, historical relevance, and recognised provenance, it offers collectors a distinguished opportunity to acquire a significant contemporary artwork.
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Rome Pays Off is a compelling work by Jean-Michel Basquiat that reflects the artist’s fascination with history, power, and the relationship between culture and value. The work originated from Basquiat’s studio practice and does not have a street graffiti version. Although Basquiat first gained attention through his SAMO graffiti writings in New York, Rome Pays Off belongs to his mature gallery period, when he transformed street language into complex works that challenged traditional art narratives.
The title suggests themes of legacy, empire, and the rewards or consequences of historical systems. Basquiat’s use of fragmented text, symbolic references, and expressive mark-making creates a layered examination of knowledge, wealth, and cultural influence. As with much of his work, the piece balances personal expression with broader commentary on society, history, and identity.
Collectors value Rome Pays Off for its rarity, intellectual depth, and connection to Basquiat’s celebrated body of work. Significant works from this period remain highly desirable due to limited availability, institutional recognition, and continued global demand.
At ArtLife Gallery, we see Rome Pays Off as an important example of Basquiat’s ability to merge history, language, and visual energy. Related to works such as Per Capita, Hollywood Africans, Charles the First, and Flexible, it represents the artist’s influential era of creating powerful cultural narratives through contemporary art.
More Jean-Michel Basquiat Works to Explore
Rome Pays Off
by Jean-Michel Basquiat
Year: 1982-2004
Medium: Screenprint on Lenox Museum Board
Size: 44” x 40”
Screenprint in colours, 2004, from
An important work within Jean-Michel Basquiat’s celebrated print legacy, Rome Pays Off (1982–2004) is a screenprint on Lenox Museum Board measuring 44 × 40 inches. The piece reflects Basquiat’s influential fusion of language, symbolism, and cultural critique, capturing the intellectual energy of his Neo-Expressionist practice. With its museum-quality presentation, historical relevance, and recognised provenance, it offers collectors a distinguished opportunity to acquire a significant contemporary artwork.
Rome Pays Off is a compelling work by Jean-Michel Basquiat that reflects the artist’s fascination with history, power, and the relationship between culture and value. The work originated from Basquiat’s studio practice and does not have a street graffiti version. Although Basquiat first gained attention through his SAMO graffiti writings in New York, Rome Pays Off belongs to his mature gallery period, when he transformed street language into complex works that challenged traditional art narratives.
The title suggests themes of legacy, empire, and the rewards or consequences of historical systems. Basquiat’s use of fragmented text, symbolic references, and expressive mark-making creates a layered examination of knowledge, wealth, and cultural influence. As with much of his work, the piece balances personal expression with broader commentary on society, history, and identity.
Collectors value Rome Pays Off for its rarity, intellectual depth, and connection to Basquiat’s celebrated body of work. Significant works from this period remain highly desirable due to limited availability, institutional recognition, and continued global demand.
At ArtLife Gallery, we see Rome Pays Off as an important example of Basquiat’s ability to merge history, language, and visual energy. Related to works such as Per Capita, Hollywood Africans, Charles the First, and Flexible, it represents the artist’s influential era of creating powerful cultural narratives through contemporary art.