You Should Know I Know
by KAWS
Year: 2015
Medium: Screen Print in colors on 425gsm Saunders Waterford HP paper
Size: 37 1/2 × 32 in (95.3 × 81.3 cm)
Edition of 250
Executed on premium 425gsm Saunders Waterford HP paper, KAWS’ You Should Know I Know (2015) is a color screenprint measuring 37½ × 32 inches (95.3 × 81.3 cm), released in an edition of 250. The work reflects the artist’s ongoing investigation of dialogue, emotion, and contemporary symbolism through his recognisable imagery. Its refined craftsmanship, limited production, and established collector appeal make it a distinguished addition to any contemporary art collection.
You Should Know I Know is a compelling print work by KAWS that reflects the artist’s ongoing exploration of communication, emotion, and human connection. First released through KAWS’ studio and gallery edition practice, the work was created as a fine art print and does not have a street graffiti version. While KAWS’ early career was built on public interventions and altered advertising imagery, this piece belongs to his mature period of carefully produced editions that brought his street-inspired language into the global contemporary art market.
The title creates a sense of awareness, dialogue, and unspoken understanding. Through KAWS’ signature characters and expressive forms, the work examines themes of trust, vulnerability, perception, and the complex relationships between individuals. The restrained imagery allows viewers to project their own experiences onto the piece, creating an emotional connection beyond the surface.
Collectors value You Should Know I Know for its rarity, distinctive title, and place within KAWS’ influential print portfolio. Its limited edition format, recognizable aesthetic, and continued international demand make it an attractive acquisition for contemporary art collectors.
At ArtLife Gallery, we view this work as a thoughtful example of KAWS’ ability to communicate universal emotions through minimal yet powerful imagery. Related to No Reply, The News, Blame Game, and Companion, it reflects the artist’s mature era of transforming pop culture references into enduring contemporary artworks.
KAWS, born Brian Donnelly in Jersey City in 1974, has become one of contemporary art’s most recognisable figures by moving between street art, fine art, fashion, and design. After studying illustration at New York’s School of Visual Arts, he worked in animation while developing a graffiti practice that soon evolved into a distinctive artistic language.
His iconic characters, including Companion, BFF, Chum, and Accomplice, blend cartoon-inspired forms with X-shaped eyes and expressive gestures. Beneath their playful appearance, KAWS explores isolation, friendship, consumer culture, and human connection. These figures have appeared across paintings, sculptures, drawings, vinyl editions, and public works, creating a visual identity that is instantly recognisable.
Collaboration became a defining part of his career. Partnerships with Medicom Toy, Uniqlo, Nike, Dior, Supreme, and other global names helped blur the boundaries between contemporary art, fashion, product design, and popular culture. His Tokyo label, OriginalFake, strengthened this crossover during the 2000s. Even today, KAWS’ approach to collaboration shows how art can move naturally between galleries, retail spaces, and everyday life.
KAWS has exhibited internationally at major museums and institutions, presenting paintings, sculptures, drawings, and collectibles to audiences far beyond the traditional gallery system. His ability to pair accessibility with artistic ambition has made him a defining figure in 21st-century visual culture. This wide reach also helps explain why KAWS has become so famous.
His influence extends into the global art market, where scarcity, edition size, provenance, condition, and cultural significance can affect value. For anyone considering investing in KAWS art, understanding the factors behind his investment market and the prices achieved at auction offers useful context for evaluating his enduring position in contemporary art.
More KAWS Works to Explore
You Should Know I Know
by KAWS
Year: 2015
Medium: Screen Print in colors on 425gsm Saunders Waterford HP paper
Size: 37 1/2 × 32 in (95.3 × 81.3 cm)
Edition of 250
Executed on premium 425gsm Saunders Waterford HP paper, KAWS’ You Should Know I Know (2015) is a color screenprint measuring 37½ × 32 inches (95.3 × 81.3 cm), released in an edition of 250. The work reflects the artist’s ongoing investigation of dialogue, emotion, and contemporary symbolism through his recognisable imagery. Its refined craftsmanship, limited production, and established collector appeal make it a distinguished addition to any contemporary art collection.
You Should Know I Know is a compelling print work by KAWS that reflects the artist’s ongoing exploration of communication, emotion, and human connection. First released through KAWS’ studio and gallery edition practice, the work was created as a fine art print and does not have a street graffiti version. While KAWS’ early career was built on public interventions and altered advertising imagery, this piece belongs to his mature period of carefully produced editions that brought his street-inspired language into the global contemporary art market.
The title creates a sense of awareness, dialogue, and unspoken understanding. Through KAWS’ signature characters and expressive forms, the work examines themes of trust, vulnerability, perception, and the complex relationships between individuals. The restrained imagery allows viewers to project their own experiences onto the piece, creating an emotional connection beyond the surface.
Collectors value You Should Know I Know for its rarity, distinctive title, and place within KAWS’ influential print portfolio. Its limited edition format, recognizable aesthetic, and continued international demand make it an attractive acquisition for contemporary art collectors.
At ArtLife Gallery, we view this work as a thoughtful example of KAWS’ ability to communicate universal emotions through minimal yet powerful imagery. Related to No Reply, The News, Blame Game, and Companion, it reflects the artist’s mature era of transforming pop culture references into enduring contemporary artworks.
KAWS, born Brian Donnelly in Jersey City in 1974, has become one of contemporary art’s most recognisable figures by moving between street art, fine art, fashion, and design. After studying illustration at New York’s School of Visual Arts, he worked in animation while developing a graffiti practice that soon evolved into a distinctive artistic language.
His iconic characters, including Companion, BFF, Chum, and Accomplice, blend cartoon-inspired forms with X-shaped eyes and expressive gestures. Beneath their playful appearance, KAWS explores isolation, friendship, consumer culture, and human connection. These figures have appeared across paintings, sculptures, drawings, vinyl editions, and public works, creating a visual identity that is instantly recognisable.
Collaboration became a defining part of his career. Partnerships with Medicom Toy, Uniqlo, Nike, Dior, Supreme, and other global names helped blur the boundaries between contemporary art, fashion, product design, and popular culture. His Tokyo label, OriginalFake, strengthened this crossover during the 2000s. Even today, KAWS’ approach to collaboration shows how art can move naturally between galleries, retail spaces, and everyday life.
KAWS has exhibited internationally at major museums and institutions, presenting paintings, sculptures, drawings, and collectibles to audiences far beyond the traditional gallery system. His ability to pair accessibility with artistic ambition has made him a defining figure in 21st-century visual culture. This wide reach also helps explain why KAWS has become so famous.
His influence extends into the global art market, where scarcity, edition size, provenance, condition, and cultural significance can affect value. For anyone considering investing in KAWS art, understanding the factors behind his investment market and the prices achieved at auction offers useful context for evaluating his enduring position in contemporary art.